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It is shaping up to being a summer of community events with a number of events planned for August.
One event not to miss is the Summer Birthday Garden Party in Island Gardens which celebrates the 122nd year of the park being opened and its continual attraction for Islanders and visitors.
The event will include a number of attractions including Face painting, a Magician, Balloon artist, the Pearlies, Police and Fire Brigade, Pimm’s and Prosecco Lounge, Food and Drink, Games and Live Music.
The free event is organised by the Friends of Island Gardens who work tirelessly to improve and maintain the famous gardens and play a major role in protecting the park from developments that would impinge on its special character.
In recent years, the development of Calders Wharf which is located next to the park has raised a number of concerns about the impact to the park. If you would to find out more, find a link to the FOIG’s petition here
The Garden Party takes place on the 5th August between 12 and 5 pm.
Although the Isle of Dogs is constantly changing, it still has a strong community spirit with a number of events throughout the year.
This Sunday ( 9th of July) sees the Christ Church Summer Fete with a number of attractions including Craft workshops and stalls, table-top sales of books, clothing, crafts, toys etc.. There will also be a BBQ and Caribbean food, Caricaturist, face painting, tombola, Bouncy castle, Tea and cakes, and live performances and much more.
The festivities begin at 12pm and there is a £1 entry fee goes towards the church fundraising. Kids can enter for 20p.
If you would like some traditional entertainment for all the family, why not make your way to Christ Church which is at the south of the Island on Manchester Road.
Tunnel: The Archaeology of Crossrail at the Museum of London Docklands from 10th February to 3rd September 2017
Regular readers will know that I am often intrigued by tunnels and have written about the Thames and Blackwall tunnels. Therefore it was with a great deal of anticipation that I attended the preview for the latest exhibition at the Museum of London Docklands. The exhibition is entitled Tunnel: The Archaeology of Crossrail and explores the wide range of archaeological objects unearthed by Crossrail .
Many people may be aware of Crossrail, Europe’s largest infrastructure project, but few people will realise that since work began in 2009, the project has undertaken one of the most extensive archaeological programmes ever in the UK, with over 10,000 artefacts found covering almost every important period of the Capital’s history.
The construction of London’s newest railway, which will be known as the Elizabeth Line has sliced through London from East to West and gone through many layers of London’s history.
Some of the finds include:
Prehistoric flints found in North Woolwich, showing evidence for Mesolithic tool making 8,000 years ago
Tudor bowling ball found at the site of the Tudor King John’s Court manor house in Stepney Green
Roman iron horse shoes found near Liverpool Street Station
Medieval animal bone skates found near Liverpool Street Station
Late 19th century ginger and jam jars from the site of the Crosse & Blackwell bottling factory near Tottenham Court Road station
Human remains including one of the skeletons found near Liverpool Street Station from the 17th century Bedlam cemetery, which a DNA has shown died from the Plague.
Just before you enter the main part of the exhibition, there is a statue of St Barbara who is associated with explosives and lightning. She is the patron saint of miners and tunnellers and despite all the high tech equipment, the people on the Crossrail construction took the statue down one of the shafts for good luck.
The exhibition follows the trail of the Elizabeth Line and features highlights from each section. Of particular interest in our local area were the digs at Pudding Mill Lane that looked at some of the old industries on the River Lea, The old Thames Ironworks site near Canning Town was explored and a number of finds like iron chains and brickworks was found.
Digging under Canary Wharf, part of a woolly mammoth’s jaw bone was found and a fragment of amber that was estimated to be 55 million years old. Both items are currently being analysed at the Natural History Museum.
Some objects at Stepney Green are from the Tudor period when it was the location of many large mansions for the wealthy.
The exhibition illustrates some of the problems of archaeology with the mystery of the Walbrook skulls which are from different periods but were all found together.
As well as the archaeological finds, large screens show how the massive engineering project of Crossrail burrowed its way beneath the London city streets and beyond.
This fascinating exhibition is without doubt one of the biggest and most comprehensive exhibitions held at the Museum of Docklands and is well worth a visit. The exhibition is free and runs until September 2017.
Like many people who live on the Island, I will occasionally take the short ride to Greenwich or walk through the foot tunnel. Greenwich is a favourite with locals and visitors who come to admire its many delights.
In the numerous times, visiting Greenwich I have never visited the Queen’s House located near the National Maritime Museum. Therefore I was delighted to be invited to a preview of the newly restored Queen’s House before it opens to the public on October 11th.
The House’s closure has given the Royal Museums Greenwich the opportunity to refurbish galleries, including the King’s Presence Chamber and the Tulip Stairs, as well as introducing new displays and colour schemes, bespoke lighting and new interpretation. The window-glazing and flooring of the Grade I listed building has also been upgraded.
The Queen’s House has a remarkable history and is considered one of the most important buildings architecturally in the country. The famous architect Inigo Jones was commissioned to design the building in 1616 by King James I’s wife, Anne of Denmark , although she never saw Inigo Jones’s Classical design completed because she died in 1619 when only the first floor had been built. In 1629, James’s son Charles I gave Greenwich to his wife Henrietta Maria and work on the Queen’s House resumed to be finally completed around 1636. The house is considered one of the first fully Classical buildings in England and marked a distinct break from the traditional, red-brick Tudor style of building.
The Civil War meant that Henrietta Maria had little time in the house before she went into exile, her husband was executed and his property seized by the state, although she did eventually return after the restoration in 1660. The house was then used by members of the royal family and for other purposes until 1805, when George III granted the Queen’s House to a charity for the orphans of seamen, called the Royal Naval Asylum. This remained until 1933, when the charity moved to Suffolk. It was taken over by the National Maritime Museum in 1934.
To celebrate its 400th anniversary in 2016, the Queen’s House has been refurbished to celebrate its Royal connections and the National Maritime Museum’s outstanding art collection.
Turner Prize winner Richard Wright has created a new artwork for the ceiling of the Great Hall which is inspired by the remarkable Tulip Stairs.
Visitors to the re-opened house will also be able to see Orazio Gentileschi’s Joseph and Potiphar’s Wife displayed in this iconic building for the first time since 1650. The painting, which is part of the Royal Collection, was one of a sequence commissioned for the Queen’s House by King Charles I and Queen Henrietta Maria.
The King’s Presence Chamber and Queen’s Presence Chamber have been used to house paintings illustrating the kings, queens, consorts and courtiers associated with the House and Greenwich during this period.This helps to bring the history of the Queen’s House to life and illustrates the connection with the Tudor Placentia Palace that once stood near the site.
Walking around the remarkable house provides plenty of evidence of how Greenwich was at the centre of Royal life for centuries and how little remains to remind us of its Royal connections.
Standing on the balcony on the first floor gives you a wonderful view of Greenwich Park but when you walk outside you realise why so many people fail to visit the house, despite the grand entrances there are no large doors, entry is via the colonnade and it is easy to believe that the house is part of the larger complex not a standalone house.
There is another interesting element that is relevant to Islanders, Queen Mary stipulated that no building should block the view to the river, so when Christopher Wren designed the Naval College he left a gap in the building. When viewing from Island Gardens, the Queen’s House is nicely framed by the Naval College and offers a wonderful view of Greenwich Park behind.
I would highly recommend a visit to the Queen’s House to enjoy some of the wonderful features and the art collections which help you to understand the building’s history, and its considerable significance.
The Queen’s House is Free Admission
After all the excitement in West India Dock last week, we can look forward to more sedate land based enjoyment with the arrival of the Bloom and Grow Garden Festival at Canary Wharf from 16th to 19th June 2016.
The four-day horticultural festival will feature over fifty events based around the twenty acres of outdoor space in Canary Wharf. If you are interested in horticulture there are plenty of talk, walks, workshops and number of children activities that will make the event attractive for families.
The event will be part of the London wide annual Open Garden Squares Weekend and many of the activities will be centred around the spectacular Crossrail Place Roof Garden. Although many of the events in Crossrail Place Roof Garden and Canary Wharf are free, if you want to visit other gardens and events featured in the Open Garden Squares Weekend you will need to buy a ticket.
Some of the highlights of the festival include :
ARTS & GARDENS WITH THE ROYAL HORTICULTURAL SOCIETY
THU 16 & FRI 17 JUNE / 1-2PM
CAPABILITY BROWN: PLACE-MAKER
FRI 17 & SAT 18 JUNE / 2-3PM
ROALD DAHL THE GARDENER
SAT 18 JUNE / 12-1PM
THE GARDEN WORLD OF BEATRIX POTTER
SUN 19 JUNE / 12-1PM
THU 16 & FRI 17 JUNE
11AM, 1 & 3PM (30 MINS)
CROSSRAIL PLACE BY ADAMS PLAZA
FLOWER DISSECTION ART
THU 16 – SUN 19 JUNE
11.30AM, 12.30, 1.30, 2.30 & 3.30PM (30 MINS)
ROOF GARDEN (WEST END)
THAI FRUIT & VEGETABLE CARVING
THU 16 – SUN 19 JUNE
12, 1, 2, 3 & 4PM (30 MINS)
ROOF GARDEN (WEST END)
GIGGLY & GREEN-FINGERED
SAT 18 JUNE / 10AM-6PM
SUN 19 JUNE / 12-6PM
STORY TELLING TREE
SAT 18 JUNE / 10AM-6PM
SUN 19 JUNE / 12-6PM
FLORAL FACE PAINTING
SAT 18 JUNE / 10AM-6PM
SUN 19 JUNE / 12-6PM
THE SUN & THE WIND
SAT 18 JUNE / 12, 2 & 4PM (45 MINS)
SAT 18 JUNE / 12-5PM / JUBILEE PARK
MIND & BODY CLASS
THU 16 – FRI 17 JUNE / 7-8AM
SAT 18 – SUN 19 JUNE / 9-10AM
ROOF GARDEN (WEST END)
FREE – ADVANCE BOOKING REQUIRED
FRI 17 & SAT 18 JUNE / 11.30AM-6.30PM
SAT 18 & SUN 19 JUNE
THROUGHOUT THE DAY
SUN 19 JUNE / 1.30-2PM & 2.30-3PM
Events are FREE to attend unless otherwise stated. The Festival recommend you arrive early to some events with limited places to avoid disappointment.
If you would like further information about the Festival, visit the Canary Wharf website here
Occasionally, I make the journey to Bethnal Green to the Museum of Childhood which is one of the best museums in East London. It is always quite nostalgic with lots of toys and games from different eras, however my visit coincided with the opening of a new exhibition about Smallfilms, the production company that made Bagpuss and the Clangers.
The exhibition is entitled The Clangers, Bagpuss & Co and is the first major retrospective of Smallfilms, the company created by Oliver Postgate and Peter Firmin. The small exhibition looks like it is in a barn and that is intentional because Smallfilms was based in rural Kent and all the filming took place in a barn and an adapted pigsty.
The remarkable aspect of Smallfilms was that Oliver Postgate (writer, animator and narrator) and Peter Firmin (modelmaker and illustrator) did almost all of the work themselves without much outside interference.
This allowed Postgate and Firmin to create imaginary worlds that would captivate children for the next 50 years. The exhibition illustrates the sheer ingenuity of Smallfilms, one of the highlights is Oliver Postgate’s stop-motion film camera, adapted using a small motor and bits of Meccano. However, for all the mechanical ingenuity, it was the quirky and inventive programmes like Bagpuss, The Clangers, Pogles Wood, Noggin the Nog and Ivor the Engine that captivated millions of children all around the world.
My first memories of Smallfilms was with Ivor the Engine and Noggin the Nog which became my particular favourites. When you watch the shows now, it is fascinating to notice that how the stories and the sets blend together to create self contained small worlds. It is this attention to detail that is illustrated by the original puppets, archive footage, sets and storyboards, photos, scripts and filming equipment.
For all their early success, it was in the late 60s and early 70s when Smallfilms achieved their greatest hits with The Clangers and Bagpuss. The strange whistling aliens and the old cloth cat became firm favourites with generations of children and the exhibition has plenty of the original puppets from the two shows.
Bagpuss and his entertaining friends have pride of place in the exhibition with even the dress worn by Emily who owned Bagpuss in the programme. Emily was played by Emily Firmin, the daughter of illustrator Peter Firmin.
If you want to look at animation before computer graphics then take a trip to the wonderful V&A Museum of Childhood and enjoy this small but fascinating free exhibition.
The Clangers, Bagpuss and Co at the Museum of Childhood – 19th March to 9th October 2016
Regular readers will know that local collector, Eric Pemberton often sends postcards or interesting photographs about the Island which I feature on the blog.
This week, Eric has sent a postcard that celebrates the arrival of Her Majesty’s Yacht Britannia into London passing through Limehouse Reach in 1954. This was the first time, the royal yacht had made its way up the Thames and was watched by hundreds of thousands of people all along the riverside. People living on the Island joined the crowds when the yacht made its way around the Isle of Dogs and into London.
The 413 ft long HMY Britannia was built at the shipyard of John Brown & Co. Ltd on the Clyde and launched by Queen Elizabeth II in 1953.
Britannia’s maiden voyage was on 1954 from Portsmouth to Malta before travelling to pick up the Queen and Prince Philip in Tobruk at the end of the royal couple’s Commonwealth tour. Also on board were the young Princess Anne and Prince Charles who had travelled to meet their parents.
The Commonwealth tour saw the royal couple travelling around the world visiting Bermuda; Jamaica, Panama Canal, Fiji, Tonga; New Zealand, Australia, Ceylon, Aden, Uganda, Libya, Malta, Gibraltar before finishing in London.
Most of the tour was undertaken by air or boat, but it was only in the Tobruk to London leg that the Britannia was used and would be the first opportunity for Londoners to see the royal yacht. A newspaper report of the time gives some insight to the excitement of the arrival.
The Queen’s Home in London
LONDON: Queen Elizabeth II, tired, but happy, came home yesterday from her 6-months’ world tour to a London of pealing bells, marching bands and dense crowds roaring a welcome to her. As she drove into Buckingham Palace through a sea of waving flags a plump Cockney woman shouted, “We’ve missed you, duck. Don’t stay away so long again.
It summed up the mood of the millions who had lined the banks of the River Thames to cheer as she sailed triumphantly in the Royal barge through the heart of her capital. It was like last year’s Coronation all over again— except yesterday it did not rain.
Like they did then, Londoners had camped all night on the pavements to make sure of a place on the route.The Queen, the Londoners saw as she drove through the capital was a slimmer Elizabeth than the one who left in November, 1953.
The. day of the carnival began at the mouth of the River Thames where Britannia had anchored, for a few hours in the early morning. As soon as the: Royal yacht began to move on her 52 mile voyage up the winding river the clamour of welcome started. Guns boomed a salute and ships hooted their sirens, Everything that could float, bedecked with everything that was colourful enough to look like a flag, put to sea in the river estuary to follow the Queen. All along the banks, crowds stood on tiptoe to cheer and motorists sounded their horns.
At Woolwich, a large number of jet fighters of the R.A.F and Royal Canadian Air Force screamed down to less than 1000 feet above the yacht.
On Britannia’s bridge stood the Queen waving to the crowds with her family and Sir Winston Churchill, the Prime Minister beside her.Then came the end of Britannia’s voyage; The great bascules of Tower Bridge were raised and the yacht steamed through and came to a stop.
During her Commonwealth tour, the Queen had opened six Parliaments, unveiled three memorials, opened a road, planted six trees, inaugurated a dam, laid the foundation stone of a cathedral, dedicated a shrine, opened a school, made’ four broadcasts and held 11 investitures,attended 50 State balls, garden parties, lunches and dinners, 135 public receptions and presentations, 27 children’s displays and seven race-meetings. No wonder she looked tired and people began to question whether it was a good idea for royal visits to last so long. For all the obvious goodwill, there were questions asked if Britain which was still struggling economically could afford a ‘lavish palace’ of a yacht for their monarch. These were questions that would often reappear throughout the yacht’s service, eventually Britannia was decommissioned in 1997 and is now permanently moored as a visitor attraction in the port of Leith near Edinburgh.
Many thanks to Eric Pemberton.